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For tomorrow


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Theo Schofield


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[Front]


The Duchess of Malfi: The whole second description of the Duke
[Back]


He speaks with others' tongues, and hears men's suits/With others' ears; will seem to sleep o' the bench/Only to entrap offenders in their answers;/Dooms men to death by information;/Rewards by hearsay.

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The Duchess of Malfi: The whole second description of the Duke
He speaks with others' tongues, and hears men's suits/With others' ears; will seem to sleep o' the bench/Only to entrap offenders in their answers;/Dooms men to death by information;/Rewards by hearsay.
Antonio's description of the Duke's creation
For he strews in his way flatterers, panders, intelligencers, atheist, and a thousand such political monsters…
Voplone; Mosca Act 3, Scene 1
I fear I begin to grow in love/With my dear self and my most prosperous parts,/They do spring and burgeon…Success hath made me wanton. I could skip/Out of my skin now, like a subtle snake,/I am so limber
The Last Line, Act 5, Scene 8
The seasoning of a play, is the applause./Now, though the Fox be punish'd by the laws,/He yet doth hope, there is no suffering due,/For any fact which he hath done 'gainst you;/If there be, censure him; here he doubtful stands:/If not, fare jovially, and clap your hands.
John Donne 10
And dost with poyson, warre, and sicknesse dwell,/And poppie, or charmes can make us sleepe as well,
John Donne Sonnet 14
(Since to be gratious/Our taske is treble, to pray, beare, and doe)
Arden's response; Act III, Scene I
I like not this, but I’ll go see myself.—/Ne’er trust me but the doors were all unlocked:/This negligence not half contenteth me.